Canada Community Dance

Building community for more engaged dance

Aus and NZ joining forces: turning data into audiences November 16, 2006

Filed under: Audience Development, Australia, Marketing dance, New Zealand — robyncampbell @ 9:58 pm

New arts marketing resource

This is posted on the Creative New Zealand website. Sounds great. I want a copy of the November publication! Anyone have an extra one? Know where to get one from?

- R 

Creative New Zealand and the Australia Council for the Arts are joining forces to publish an arts marketing resource, “FULL HOUSE: Turning Data into Audiences”.

The book will be published in November and will look at how data gathered through the ticketing process can be used to enhance sales, marketing, fundraising and relationships with customers. It will also include chapters focusing on the New Zealand context.

“FULL HOUSE: Turning Data into Audiences” is an updated version of the 1994 book “Boxing Clever”, published by Arts Council England. “FULL HOUSE” was written by Tim Roberts from Arts, Research and Ticketing Services in Australia, Roger Tomlinson from ACT Consultant Services in the UK, and Vicki Allpress, Marketing Manager for NBR New Zealand Opera.

The book will be launched during a series of lectures and workshops in Auckland (12 December), Wellington (14 December) and Christchurch (15 December). Attendees will receive a complimentary copy of the book.

 

Marketing dance for first-timers in NZ November 16, 2006

Filed under: Marketing dance, New Zealand — robyncampbell @ 9:55 pm

This is a really interesting perspective on marketing the arts in New Zealand. It’s originally posted on Creative New Zealand’s website. 

Targeting first timers? Wow. That’s something we in Canada can learn from…

- R

Test driving the arts

Test Drive the Arts, an innovative arts marketing programme aimed at first-timers, was the subject of workshops and presentations held recently in New Zealand.

The programme is designed to introduce people to an aspect of the arts for the first time. Creative New Zealand bought leading UK arts marketing and audience development specialist Andrew McIntyre from Morris Hargreaves McIntyre to New Zealand to present the programme to performing arts managers and marketers in Wellington and Auckland in October.

The term Test Drive was coined by the marketing agency Arts About Manchester and is borrowed from the car industry, where potential buyers are encouraged to try a product before making the decision to buy.

Most people can’t assess whether to buy a car based on advertising alone, and Test Drive the Arts acknowledges that in the same way, an arts experience can’t be fully conveyed through advertising or a brochure.

Test Drive has three key stages: the first stage involves introducing people to something in the arts for the first time. The “something” is an arts organisation’s work and the people are likely to be new customers to that organisation, if not to the arts generally. The second stage involves encouraging first-time attendance through providing incentives such as free tickets, discounted tickets or value-added benefits like a free programme, a CD, free drinks, food or transport. The third and most important element of Test Drive, is that the first attendance is seen as a springboard to an ongoing relationship.

Creative New Zealand is providing seed funding to four recurrently funded organisations that will pilot the Test Drive programme next year: Auckland Philharmonia, Auckland Theatre Company, The Court Theatre, and the Christchurch Symphony. The four organisations will work collaboratively to put 5000 people through the programme in 2007.

Test Drive the Arts targets people who are open to persuasion to attend arts events but who are currently not being persuaded. That such a group exists is borne out by “New Zealanders and the Arts” research that showed 84 per cent of people agreed with the statement that “some arts events interest me but I still don’t go much”.